Michael Marshall has kept Beijing as his home base for nearly nine years. As a musician, he’s performed with major acts like Catcher in the Rye, Casino Demon, and Omnipotent Youth Society’s Dong Ya Qian. He currently performs with a tight little garage psych outfit called Boss Cuts. He is also currently the booking manager for Temple Bar in Beijing, a position he’s held for three years, and the managing editor of CUE, a local serialized comic publication partnered with the literary collective Spittoon.
China’s ethnic policy in Xinjiang and Tibet: The move toward assimilation
This week on the Sinica Podcast, Jeremy and Kaiser speak with Tashi Rabgey, research professor of international affairs at George Washington University and director of the Tibet Governance Project. They are joined by returning guest Jim Millward, professor of history at Georgetown University and renowned scholar of Xinjiang and Central Asia. This episode focuses on […]
It snowed recently in Beijing, leading to some wonderfully fresh views of familiar landmarks. Here's the famous White Pagoda (白塔 bái tǎ) at Beihai Park near the heart of Beijing, caught in just the right waning light. Photo by Eric Favreliere